The world of British horror cinema is about to get a much-needed revival, and I, for one, am thrilled to see it. With The House of Hammer Vol. 1, we're not just talking about a simple box set release; we're witnessing a strategic move by the current Hammer team to reignite the brand and remind us all of its golden age.
This first volume is a carefully curated collection of features, interviews, and documentaries that delve into the rich heritage of British horror. It's an ambitious project that aims to build a comprehensive library of knowledge, and I believe it's a brilliant way to complement the upcoming Hammer releases.
Unveiling the American International Pictures Legacy
One of the standout features in this volume is Masques, Monsters and Madmen, a documentary focusing on American International Pictures (AIP) and its association with Hammer. What makes this particularly fascinating is the insight it provides into the studio's output and influence, especially considering Vincent Price's connection to both studios, despite never appearing in a Hammer film. The inclusion of experts like Jonathan Rigby, Chris Alexander, and Victoria Price adds a layer of credibility and depth to the discussion.
Exploring the Career of Michael Gough
Another intriguing aspect is Off the Leash, where Jonathan Rigby takes us on a journey through the career of Michael Gough, an actor with an interesting relationship with horror. Gough's presence in several horror films, despite his less-than-complimentary views on the genre, is a testament to his versatility and the evolving nature of horror cinema.
Cornwall's Cinematic Legacy
The Land Demands Blood is a unique addition, showcasing how Cornwall has been utilized as a setting by Hammer and contemporary filmmakers. This featurette provides a fresh perspective on the influence of location in horror films and how it can shape the narrative and atmosphere.
Censorship and Its Impact
Deep Cuts, a feature-length documentary, delves into the fascinating world of censorship in the US and UK during the '60s and '70s. By exploring how and why boundaries shifted, this documentary offers a fresh take on a topic that has been previously explored. It's a reminder of how societal attitudes and values can shape the cinematic experience.
Special Effects and Musical Scores
The volume also includes interviews with special effects artists Dave and Lou Elsey, shedding light on their craft and its evolution. Symphonies of Shudders, on the other hand, takes us on a journey through the history of film music, with a focus on Hammer composer James Bernard and his signature techniques.
A Well-Curated Collection
Overall, The House of Hammer Vol. 1 is a treasure trove for fans and collectors alike. While it may feel like a collection of special features at first glance, the careful curation and depth of content make it a valuable addition to any horror enthusiast's collection. I believe this release is a strategic move to maintain the renewed interest in Hammer and its associated studios, and I'm excited to see what volumes two and three will bring.
In my opinion, this is a brilliant way to celebrate the legacy of British horror, and I can't wait to see how this series evolves.
